Selasa, 15 Maret 2011

[N374.Ebook] Download Ebook The Art of Literature, by Arthur Schopenhauer

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The Art of Literature, by Arthur Schopenhauer

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

  • Published on: 2010-02-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .36" w x 7.44" l, .68 pounds
  • Binding: Paperback
  • 168 pages

From the Back Cover
The great pessimist who believed in the best and expected the worst from writers here applies his caustic wit to literature and the literary scene. Schopenhauer's piercing analyses of style, critics, literary values, learning, and genius make this volume a handbook on writing―illuminated by the author's own shining, powerful style. The best way to discover the finest qualities of style and to form a theory of writing, he advises, is not to follow a trendy mannerism, but to study the ways in which great authors executed their best work. Schopenhauer provides excellent examples for aspiring writers in this collection of essays from his celebrated work Parerga. Translated by T. Bailey Saunders.

About the Author
Arthur Schopenhauer (1788-1860) elabore dans sa jeunesse un systeme philosophique dont il explore les consequences dans le domaine de la morale et de la religion. Il passe l essentiel de sa vie a son discours.

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0 of 0 people found the following review helpful.
Great purchae
By Susana
Great book. Came as description

0 of 0 people found the following review helpful.
Brilliant writer
By CaptainB
He has a way with words!

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Minggu, 13 Maret 2011

[M836.Ebook] Ebook Free Sphere, by Michael Crichton

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Sphere, by Michael Crichton

From the author of�Jurassic Park,�Timeline, and�Congo�comes a psychological thriller about a group of scientists who investigate a spaceship discovered on the ocean floor.

In the middle of the South Pacific, a thousand feet below the surface, a huge vessel is unearthed. Rushed to the scene is a team of American scientists who descend together into the depths to investigate the astonishing discovery. What they find defies their imaginations and mocks their attempts at logical explanation. It is a spaceship, but apparently it is undamaged by its fall from the sky. And, most startling, it appears to be at least three hundred years old, containing a terrifying and destructive force that must be controlled at all costs.

  • Sales Rank: #16547 in eBooks
  • Published on: 2012-05-14
  • Released on: 2012-05-14
  • Format: Kindle eBook

Amazon.com Review
Jurassic Park author Michael Crichton is possibly the best science teacher for the masses since H.G. Wells, and Sphere, his thriller about a mysterious spherical spaceship at the bottom of the Pacific Ocean, is classic Crichton. A group of not-very-complex characters (portrayed in the film by Sharon Stone, Dustin Hoffman, Samuel L. Jackson, and Queen Latifah) assemble to solve a cleverly designed roller coaster of a mystery while attempting (with mixed success) to avoid sudden death and expounding (much more successfully) on the latest, coolest scientific ideas, including the existence of black holes. Somehow, Crichton manages to convey the complicated stuff in utterly simplistic prose, making him, as his old pal Steven Spielberg puts it, "the high priest of high concept." Yet there is more to Crichton than science and big-ticket show biz. He is also, as any reader of his startling memoir Travels knows, a bit of a mystic--he is entirely open to notions spouted by spoon-bending psychics that most science writers would scorn. Sphere is not only a gratifying sci-fi suspense tale; it also reflects Crichton's keen interest in the unexplained powers of the human mind. When something passes through a black hole in Crichton's fiction, a lesson is learned. The book also contains another profound lesson: when you're staring down a giant squid with an eyeball the size of a dinner plate, don't blink first.

From School Library Journal
YA As in Crichton's Andromeda Strain (Knopf, 1969), the focus of this science adventure tale is humankind's encounter with an alien life form. Within a space ship lying on the sea bottom is a mysterious sphere that promises each of the main characters some personal reward: military might, professional prestige, power, understanding. Trapped underwater with the sphere, the humans confront eerie and increasingly dangerous threats after communication with the alien object has been achieved. The story is exciting and loaded with scientific and psychological speculations that add interest at no cost to the action, including an intriguing sequence in which human and computer attempt to decode the alien communication. As the story races to an end, suspicions of evil-doing fall as many ways as in a detective novel. Young adults should find this book both accessible and satisfying. Mike Parson, Houston Public Library
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Crichton has rolled the present, past, and future into one highly technical and confusing science fiction adventure. The present features, among others, a pompous astrophysicist, a female zoologist, a black mathematician, and a 53-year-old psychologist, who are summoned by the Navy to examine a plane crash in the South Pacific. The past is manifested in the stranded object resting on the sea bottom where it has been for some 300 years. When the four scientists, who carry their emotional minority baggage of sex, color, and age along with them, descend to the deep in their submersible, they discover the wreck to be no less than a spaceship from the future that fell through a black hole, defying time and space. Strange things begin to happen as one by one the cast of characters diminishes. Disappointing. Literary Guild dual main selection. Marion Hanscom, SUNY at Binghamton Lib.
Copyright 1987 Reed Business Information, Inc.

Most helpful customer reviews

49 of 58 people found the following review helpful.
A gripping, suspenseful, fast-paced science fiction thriller
By Daniel Jolley
I was recently surprised to find this novel on one of my shelves; I saw the movie adaptation of the novel recently but did not remember owning the actual book. The movie was full of promise but ultimately disappointing, so I was pretty curious to see how good a read the actual novel was. Sphere is my first Michael Crichton novel, and I have to say I was quite impressed with Crichton's prowess. There are some logical flaws and inconsistencies in the plot, but Crichton is an incredibly gifted storyteller; I eagerly breezed through this novel in short order. While it is heavy on dialogue, the story touches on a number of aspects of the human personality while mixing in some profound if problematic science fiction in the process. This is a fast-paced thriller that definitely registers impressively on the suspense meter, particularly during the climactic late chapters. While the ending is something of a letdown, the story leading up to it is gripping and fascinating, and important clues and plot points are presented with much more subtlety and effectiveness than what you will find in the movie adaptation.
The novel is built around an incredible discovery; in the middle of the South Pacific, lying all but buried on the bottom of the ocean, rests a spacecraft of unknown origin. Psychologist Norman Johnson, the author of a secret government paper on Recommendations for the Human Contact Team to Interact with Unknown Life Forms (a less than serious paper he wrote primarily for the money) is called to the site, where he is informed that he will be part of a team of scientists sent to study the mysterious craft. Alongside him are an irascible Navy project commander, a brilliant, young astrophysicist/planetary geologist, a complicated female zoologist/biochemist, and a noted mathematician/logician. This unlikely team of deep ocean explorers soon find themselves in an artificial habitat resting alongside the location of the mysterious ship. Their exploration of the site yields more questions than answers, as the ship turns out to be an American spaceship from the future. The truly enigmatic discovery onboard, though, is a giant sphere of unknown composition. As the story unfolds, the team of explorers finds themselves effectively stranded on the ocean floor for a period of some days, and strange and frightening things begin to happen after one scientist somehow enters the sphere. The scientists find themselves in communication with a supposedly alien entity who calls himself Jerry; whoever and whatever Jerry is, he seems to have the power to manifest remarkable physical creations and changes in reality. The habitat and the team inside it soon comes under attack by such dangerous creatures as giant squid and killer jellyfish, but the problems eventually internalize themselves inside the group dynamic, a group that is shrinking in size as time goes by. The mysterious Sphere imparts an amazing power to those who enter it, a power that such individuals may not even be consciously aware of wielding. Ultimately, the last remnants of the research team begin pointing fingers at one another and take steps to insure their own individual survival in the face of an unquantifiable threat, making this novel a gripping psychological thriller based in a fascinating science fiction environment.
Once the team arrives in the underwater habitat, nonstop action ensues. One emergency after another challenges the crew, and the group dynamic of the team ebbs and flows along with each jarring crisis. Along the way, we see ever more clearly into the minds and ways of thinking of our main characters, and a significant amount of ideas are expressed concerning the human condition. Crichton provides for no obligatory rest areas along the way, as he takes the reader for an incredible ride that had me turning pages hand over fist in anticipation of what was to come. Some of the science is questionable, but Crichton surely makes it all sound more than plausible. The only real problem with the novel is a logical breakdown of sorts in the concluding chapters. Still, the desperate attempts of the remaining explorers to survive, when they cannot even trust one another, make for a riveting reading experience. Sphere is by no means a perfect novel, but I found it captivating and basically addictive up until the somewhat disappointing ending. The movie adaptation takes significant liberties with the original story, so I would urge you not to let the movie's failings prevent you from immersing yourself in this eminently readable novel.

21 of 23 people found the following review helpful.
Good Crichton, not his best
By Derek Armstrong
Intriguing as always, exciting from the first page, strong for the first 2/3rds and less "editorializing" than usual, but it's just not as good as his higher concept novels. But it's still very enjoyable all the way through, and as always makes you think. It feels a little dated now, but I re-read it last week and enjoyed it just as much as the first time. Sphere should definitely be a part of any Crichton fan's library. Skip the movie, though. Here, the science is less "convincing" than in Jurrassic Park (which is mostly convincing, but stretched) and Prey (which is better writing and fun, but not convincing). But that doesn't matter, because Crichton can write an adventure like few others (as long as character isn't important--character's here take backseat to concept and science). Pace, as always is good. More a rollicking adventure than "something to think about" (typical of later novels) and quite enjoyable on that level. It's the kind of novel you'll tear through in a weekend at most. And that's a good thing.

36 of 44 people found the following review helpful.
Extremely Enjoyable Popcorn
By Gary F. Taylor
You've got to give it to Michael Crichton: he writes one heck of a page-turner. Open one of his books with the idea that you'll just read a chapter or two before bedtime and you'll suddenly be bleary-eyed at three in the morning. And although this particular title, which is somewhat less well known than such Crichton novels as THE ANDROMEDA STRAIN and JURASSIC PARK, it still packs a bestseller wallop.

The premise is classic Crichton. In his younger days, psychologist Norman Johnson was approached by the United States government to write a report on the psychological impact of an encounter with extra-terrestrials--and now, on the basis of his rather flippant recommendations, he finds himself en route to a possible UFO crash sight on the floor of the Pacific ocean. Once established with his colleges in an underwater habitat, the government team encounters a mysterious space craft that contains a still-more mysterious sphere, and those who come into contact with it undergo an unexpected change.

The writing is crisp and clean, the hard science is handled quite skillfully, and Crichton plays out his story at a breathless pace: yes, a page-turner if ever there was one. Still, it is worth noting that SPHERE displays Crichton's weaknesses as clearly as it does his strengths. Strictly speaking, Crichton hasn't had an original concept in some thirty years, and just as he rehashed his screenplay for WESTWORLD into the novel JURASSIC PARK, so does he rehash THE ANDROMEDA STRAIN into SPHERE. The novel also contains both the foundational sexism and ambiguous conclusion so typical of Crichton's work.

Ultimately, SPHERE is popcorn: we've all had it before and you can't make a truly satisfying meal of it. But it is tremendously enjoyable all the same, and where is SPHERE is concerned... well, you'll eat every kernel in the bowl.

GFT, Amazon Reviewer

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Sabtu, 05 Maret 2011

[E531.Ebook] Download PDF Art of the Samurai: Japanese Arms and Armor, 1156-1868 (Metropolitan Museum of Art)From The Metropolitan Museum of Art

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Art of the Samurai: Japanese Arms and Armor, 1156-1868 (Metropolitan Museum of Art)From The Metropolitan Museum of Art

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Art of the Samurai: Japanese Arms and Armor, 1156-1868 (Metropolitan Museum of Art)From The Metropolitan Museum of Art

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Art of the Samurai: Japanese Arms and Armor, 1156-1868 (Metropolitan Museum of Art)From The Metropolitan Museum of Art

Samurai arms and equipment are widely recognized as masterpieces in steel, silk, and lacquer. This extensively illustrated volume is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai. It includes the finest examples of swords—the spirit of the samurai—as well as sword mountings and fittings, armor and helmets, saddles, banners, and paintings. The objects in the catalogue, drawn entirely from public and private collections in Japan, feature more than 100 officially designated national treasures and important cultural properties. Dating from the 5th to the 19th century, these majestic works offer a complete picture of samurai culture and its unique blend of the martial and the refined.

Many of the greatest Japanese blade makers are represented in this volume, from the earliest koto ("old sword") masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. These blades, cherished as much for their beauty as for their cutting effectiveness, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and materials, including silk, rayskin, gold, lacquer, and alloys unique to Japan, such as shakudo and shibuichi. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai.

  • Sales Rank: #1258446 in Books
  • Brand: The Metropolitan Museum of Art
  • Published on: 2009-11-10
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.60" h x 9.75" w x 12.40" l, 4.16 pounds
  • Binding: Hardcover
  • 356 pages

About the Author

Morihiro Ogawa is Special Consultant for Japanese Arms and Armor, The Metropolitan Museum of Art.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Samurai at the Met
By Joe Pierre
"Art of the Samurai: Japanese Arms and Armor, 1156-1868" is the catalog from a seemingly unprecedented exhibit of samurai armor, swords (nihonto), sword fittings (koshirae), and war accoutrements displayed at the Metropolitan Museum of Art in New York in 2009, in partnership with the Tokyo National Museum and the Agency for Culture Affairs of Japan. The exhibit featured over 200 pieces of samurai art, including 34 National Treasures and 64 Important Cultural Properties, on loan from some 60 different museums in Japan as well as from private collections.

This book, compiled to commemorate the exhibit, is quite a production as well with over 350 pages including extensive, scholarly text covering the history of metallurgy in Japan, the political developments of the samurai era, and the evolution of samurai art in these two contexts. The photographic representation of the collection is impressive to say the least, with about 75 pages of armor, 75 pages of nihonto, 50 pages of koshirae, and 40 pages of clothing, saddlery, and artwork. Although the exhibit includes nihonto from the years spanning 1156-1868, a good deal of it is from the earlier part of that epoch, with a few good examples of early chokuto from the 5th to 8th Centuries, and then one noteworthy tachi or katana after another from the Muromachi through Kamakura eras including National Treasures by Kanehira, Nobufusa, Sukezane, Yoshimitsu, Rai Kunitoshi, Rai Kunimitsu, and Masamune to name a few. The text accompanying each piece includes measurements of nakago and sori, full translations (in both kanji and English) of the mei (tang signature), and a fairly detailed discussion of the significance of each piece. As another reviewer here says, the matte photographs do lack the kind of detail you'd really like so that you could see the hada (steel grain) and hatariki ("activities" of the tempered steel) of each blade, but they are by convention black and white and overall they're pretty good. There is certainly no other book in English that features such a noteworthy collection of mostly older blades from the warring eras, the periods when the quality of Japanese swordmaking is often considered to have been at its peak, so this is simply a must-have for any student or aficionado of nihonto. Like similar volumes from other exhibits, the catalog features koshirae that in contrast are mostly newer, with some wonderfully ornate Edo and Meiji period fittings made in the post-war era in which such artistic work flourished.

I own several of these museum catalogs from exhibits that have taken place here in the U.S. in the past few years, and this is clearly the largest and most impressive collection. The overall production quality of the book is very fine, the pictures are quite good, and the level of detail in the text written by Japanese scholars is unparalleled. These kinds of books often don't stay in print forever, so I would highly recommend the purchase while it's still available for the paltry sum of $40. Easily worth it for such a compendium.

18 of 22 people found the following review helpful.
This is an important book, I think, because of what it teaches us about Japan.
By Zendicant Pangolin
One day, when I was fourteen or fifteen my grandfather pulled me over to the book shelf and handed me some books and said that I 'had' to read them, implying that not doing so would condemn me to a life of ignorant darkness. One was The Red and The Black, another, Conrad's Lord Jim, I think and perhaps a third was Madame Bovary.
His point was well taken, in retrospect, if not well made, and grounded in a belief that there is a certain canon of knowledge that has a place in a person's education.
As such a library of books should be accumulated that help to inform one about the world.
I would put it to you that this is one of those books. As an art book, quite frankly, it leaves a bit to be desired despite the superb construction of its binding and the quality of its paper. For this reason one is happy that the book is made in Japan, because it has the look and feel of something well made and substantial and unlikely to explode or be recalled for any other reason. Actually, my complaint concerns the editorial choice to go with a matte finish rather than glossy, and not to photograph the exhibited swords in color.
This is a book ostensibly about art, after all and unless we are talking about black and white art, by God, I want to look at color reproductions. There probably is an excellent rationale for using a matte finish rather than gloss for the numerous excellent reproductions of Samurai 'Art' ranging from aforementioned swords to copious amounts of elaborate armor, highly decorative sword guards, fittings, scabards, clothing, and other accoutrements of war, as well as reproductions of period scrolls depicting more of the same. These are accompanied by mostly edifying text giving contextual information as well as interesting provenance details. Apart from some minor typographical irritations, e.g. in a discussion of a certain type of pig iron it is first identified as zuke and then as zuku, the accompanying text is generally lucid and informative. One does wish, however, that a broader discussion of the actual functionality of the pictured items had been undertaken for, while some of it was obviously ceremonial in nature, it is not made clear if all of it was, and it would be interesting to know just how effective the various armor and weapons were in their assigned roles. The weight of one set of the armor was listed once, I think it would have been interesting to know what each of the pieces at the exhibition weigh.
Likewise, this Metropolitan Museum of Art publication, includes many pictures of swords. A major constituent part of the Samurai sword is the pattern that appears on the polished metal. These patterns are nearly indistinguishable as pictured: A major shortcoming.
Nevertheless, this is a book worth owning. Not just for its large number of excellent, if matte finish, reproductions and extended essays but also for how well it demonstrates the very Japaneseness of these items. (Oh, and by the way, the book includes material earlier than 1156 as a means of tracing the evolution of the various forms of armor and sword blades.)
What is perhaps most impressive about this collection is the amazing, utterly amazing, continuity of forms and aesthetics that can be observed from the earliest items to contemporary Japan's artwork or, more exactly, cultural signifiers.
Such a unified cultural thread is really quite extraordinary. Consider, for instance, the English whose civilization is arguably as old as Japan's. Yet can any one identify a single continuous ancient English theme that runs through its culture today (Putting aside Shakespeare who one argues was channeling the Greeks and doing after a gap of more than a thousand years)? Englishness was once defined by its affinity to tea, a Chinese import, and to fish and chips (the latter, a new world import). Her artists, while excellent at times, hardly define the culture (Turner, Constable, Hogarth) do they? Dickens might have captured more than a moment in time, but one could hardly call any aspect of modern England Dickensian could one?
The Japanese, on the other hand, not only defined themselves through an aesthetic typified by the Samurai (one part of a greater contiguous whole), but have also taken its motifs to heart and woven them into the present day culture.
For this reason, what it says visually about the Japanese, I recommend owning this book. Also, I suspect it may become collectible; although I am unfamiliar with art books with Samurai themes so can't be sure.

5 of 5 people found the following review helpful.
Amazing history and cultural reference
By R. Mutt
This book is more than just about weapons and armor, it is also a very thorough examination of Japanese culture and its martial history. I learned more about Japan from this book than from books specifically dedicated to Japanese history.

As for the actual topic of the book, I was mainly pleased with the explanations of how weapons and armor evolved due to changes in combat methods over time - swords used for horse-mounted combat were cut down for on-foot battles, and armor construction evolved as firearms became a sudden, prominent, and permanent aspect of war.

There may be better books on Japanese sword typologies but in my opinion this is the ground-floor for anyone wanting to study the topic. Another sadly out-of-print book that nicely compliments this is Classical Weaponry of Japan by Serge Mol, which focuses on pretty much every hand-to-hand weapon type except for the sword.

This is a big, gorgeous book that was well thought-out and leaves zero room for improvement. I only wish I could have seen all this stuff first hand at the Met.

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Jumat, 04 Maret 2011

[Y171.Ebook] Free PDF The Art and Craft of Writing Historical Fiction Publisher: Writers Digest Books, by James Alexander Thom

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The Art and Craft of Writing Historical Fiction Publisher: Writers Digest Books, by James Alexander Thom

  • Sales Rank: #7931590 in Books
  • Published on: 2010
  • Binding: Paperback

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Selasa, 01 Maret 2011

[E197.Ebook] PDF Ebook Modern Spectroscopy, 3rd Edition, by J. Michael Hollas

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Modern Spectroscopy, 3rd Edition, by J. Michael Hollas

This new edition of Modern Spectroscopy is aimed at an undergraduate audience, and introduces a wide range of spectroscopies, and includes both the background theory and applications to structure determination and chemical analysis. It covers rotational, vibrational, electronic, photoelectron, and Auger spectroscopy, as well as EXAFS, and the theory of laser and laser spectroscopy. Subjects such as interferometry, supersonic jet spectroscopy, and applications of spectroscopy to astrophysics are also notable by their inclusion. New material includes a discussion of icosahedral symmetry and its relevance to the C60 molecule, the basics of charge coupled device detectors, an introduction to zero kinetic energy photoelectron spectroscopy, and simple rules for the division of the vibrations of a molecule into symmetry classes. Reformatted and designed to be user-friendly, Modern Spectroscopy provides new worked examples of calculations and other problems covering a wide variety of topics.

  • Sales Rank: #5398198 in Books
  • Published on: 1996-07-18
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.43" h x 1.06" w x 7.64" l, .0 pounds
  • Binding: Paperback
  • 416 pages

Review
"Two valuable features for both students and instructors are a strong final chapter on Lasers and Laser Spectroscopy, and a set of 17 worked examples…" (Journal of Chemical Education, January 2005)

"…a good reference for those interested in basic theories behind general spectroscopic techniques. I welcome its presence in my professional library." (Clinical Chemistry, December 2004)

"…this text is well written and the descriptions relating theory to phenomena are clear and well constructed. The book achieves its goal as a well-rounded textbook." (Applied Spectroscopy, August 2004)

From the Back Cover
The new edition of Modern Spectroscopy is aimed at an undergraduate audience, and is suitable for students of chemistry, physics and chemical physics studying atomic and molecular spectroscopy, lasers and laser spectroscopy, and molecular symmetry. The book introduces the reader to a wide range of spectroscopies, and includes both the background theory and applications to structure determination and chemical analysis. It covers rotational, vibrational, electronic, photoelectron and Auger spectroscopy, as well as EXAFS, and the theory of lasers and laser spectroscopy. A further special feature is the inclusion of such subjects as interferometry, supersonic jet spectroscopy and applications of spectroscopy to astrophysics. New material includes a discussion of icosahedral symmetry and its relevance to the C_60 molecule, the basics of charge coupled device detectors, an introduction to zero kinetic energy (ZEKE) photoelectron spectroscopy, and simple rules for the division of the vibrations of a molecule into symmetry classes. Reformatted and designed to be user friendly, Modern Spectroscopy provides new worked examples of calculations and other problems covering a wide variety of topics. The author has many years' teaching and research experience in the field which he brings to bear in the clear writing style and wide range of topics in Modern Spectroscopy. Praise for the second edition includes:'...one is left in little doubt that this book is one which could well serve as a gold standard for specialist physical chemistry texts.' - J. Chem. Soc., Faraday Trans. 'The book remains an excellent, up-to-date text on spectroscopy at the undergraduate level,' - J. Mol. Struct.

About the Author
Dr. J. Michael Hollas is a�retired�University lecturer with many years' teaching and research experience.�

He has written over 100 research papers.�Prior to Modern Spectroscopy he published 3 books, Symmetry in Molecules (Chapman and Hall, 1972), High Resolution Spectroscopy 2.ed. (Wiley, 1998) and Basic Atomic and Molecular Spectroscopy (Royal Society of Chemistry, 2002).

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0 of 0 people found the following review helpful.
Five Stars
By Limey
One of my past Undergrad Lecturers always explained things well!

10 of 11 people found the following review helpful.
An excellent reference for lab students
By A Customer
I used this book to supplement the ocean of Herzberg referenced in my lab class. It seems pretty complete and is clearly written. The examples are very helpful.

6 of 6 people found the following review helpful.
Excellent and well organized spectroscopy book
By Geronimo L. Villanueva
The books reviews all the fundamental concepts on molecular spectroscopy. The chapter on quantum mechanics is well organized, and introduces the reader into the tools necessary for understanding the logic behind molecular spectroscopy. Simple, clear and easy to follow. The way the book is organized is also very good, from general/simple to specific/complex, so it's suitable for undergraduate students and all type of scientists.

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